Dave Lippman PROMOTION SUGGESTIONS

   

Posters and fliers and photos available at http://davelippman.com/booking/fliers.html

I also have glossy 8 X 10's that can be mailed, for the press.

I suggest adding a note to fliers about the Palestine piece, if we are using it. Like:

featuring:
New eyewitness song/sound/picture piece on Palestine/Israel: 
STAR OF GOLIATH
"Better than a million history teachers in a million classrooms could do!"

     - a history teacher

Same goes for the Venezuela piece:

featuring:
New eyewitness song/sound/picture piece on Venezuela: 
THE STREAMS ARE FINDING THE RIVER

This is useful so people don't think the whole concert is comedy. That would be bait and twitch. Or bitch. Or...  


 

PRESS RELEASE Use mine, or write anew, as you like. NOTE: Do not include info about George Stump, moderate clearcutter. He is not coming. Only George Shrub.  And  me. 

It's a good idea to emphasize the website as a place to hear/see samples of the show in advance.

ADVANCE TICKET SALES Good idea, sometimes. Some radio stations will do ticket giveaways coupled with airplay of the album.

RADIO You might want to go on the air before the show to promote it, and I will be available, usually, for interviews the day of the show, or further in advance by phone. CDs are available, and downloads of songs are at http://davelippman.com/mps3.html

VIDEO I can send you a disc with videos of Shrub live. They run from one to 15 minutes and can be given to TV stations, shown at community meetings/events, passed around - good preview stuff.

PRESS Advance write-ups are good for attendance, but follow-up reviews also give your group a good name. I like them too.

TICKET PRICE Compare to other concert prices and adjust for degree of name-recognition. What the market will bear, minus a bit. If it's too low people will think it's not worth much ? and not come. Or we won't make money. Try a sliding scale, $7-10, $8 -20, $8-2,000...  If you're using a church and you can't set a price at the door, make sure your "donation" sign says "Suggested donation," and put a sliding scale there. $3 per person for a concert will not do, is not on, and will be a great embarrassment to all concerned. Don't let it happen. Thank you.

MO' MONEY Consider selling drinks and munchies, a raffle, dinner, printed program with ads. Try to avoid Coke products.

 

THE SHOW You may add other performers, speakers etc. to the show, and you may shorten the Lippman show (normally two 45-minute sets). But please arrange all changes in advance. Also, it's best not to put anything immediately after the first (satirical) act. That's intermission time. Add announcements and other acts at the beginning of either set.

 

CLASSROOM DISCUSSIONS

I am happy to talk in high school and college classrooms on the following topics:

  • Palestine/Israel

  • Venezuela

  • Popular culture: consumerism, advertising, privatisation

  • Big Box culture:  The Wal-Martization of our world

  • Media: varieties of news presentation (I am a former correspondent for Free Speech Radio News)

  • Race and culture in music: historical overview of African American and Euro-American folk and popular music in the United States.(My book on this is forthcoming.) Includes film clips.

  • Creative Political Activities: arts, tactics, ways to communicate

 

These sessions sometimes include song performance.

Honoraria are appreciated when possible.

CONCERT NEEDS  

SETUP: One hour before doors open, or 1-1/2 hours before showtime, to set up props and sales table and to test sound and video.  You need sufficient time to set up chairs, lights, sound, etc. Background music when audience arrives.

STAGE NEEDS: 

Dressing room near stage.  Not a public bathroom.  Big closet OK. 

Something to put a four foot-wide map on - movable chalkboard, easel, or the wall if it's not too far from stage front.  Glass of water.

SOUND SYSTEM:

Two microphones (mics), with stands, preferably boom or goose neck.   Amp/mixer with 3 channels (one for wire from laptop during any projection pieces).  Direct input for guitar if possible. Speakers.  Extra extension cords. Stage monitors if possible, especially in a large hall. 

You may not need a sound system in a small room.  When in doubt, consult an experienced person such as a musician who's played in the room, or the hall manager.  It's a good idea to test the system, with the help of an experienced person, if possible, to see if it's really adequate.

DOOR: Change, and a box. Flyers to put up on door and nearby to direct people to event, and one for me.

VIDEO PROJECTION: On shows including including Star of Goliath or the Venezuela piece I need, west of the Rockies, an LCD projector, also known as video projector, to hook up to my laptop. Also a screen or good-sized white wall or nice white sheet hung flat. East of the Rockies, I will have my own projector.

RECORDING: People who want to record the show, audio or video, need to speak with me about conditions of use. Preferably before the day of show.

SALES TABLE: Card table size or larger, for sale of CDs, books, etc. Should be in an area that can be lit during intermission and after show.

LIGHTS: The stage should be brighter than the rest of the room; audience area as dark as possible.  If there are no formal or adequate stage lights in the hall, bring a couple of clamp lamps - reflectors with flood lamps.

PERSONNEL: 

Loading in help.

MC for introductions.  (Intro will be provided on paper, though MC can of course improvise.) Check with performer before starting, to be aware of costume changes and set order. 

Sales person for performer's tapes etc. at intermission and end of show - not the same person who staffs another table at the same time (it gets crowded).

INTERMISSION:  Put background music on.  I have music with lyrics projected, as desired.

IN CAFES: Espresso machines are the enemy. If at all possible, please work out with the crew or management in advance that noisy drinks will not be made during the sets. Also, regular clientele do not come in free. Period. Paragraph. They will only chat. During the show. How rude.

CHILDREN often enjoy the show, for a while, but crying, talking, and running around are very distracting.  Please consider offering childcare, perhaps paying someone rather than having the producers miss the show.  Assist in removing persistent distracters from the room if they don't get it.  (Note:  this problem is especially common when the show follows a group dinner.)

FLYER FOR SHOW: Please bring me a couple copies of whatever you did.

AFTER THE SHOW: Party (optional).  If in a public place, should be a quiet one. Quiet-ish. Not a place with a loud band.

LODGING: Necessary.  A bed.  No hard futons please. Private room preferred, cats and dogs ok.  Noise late at night un-desirable.    

THANK YOU!  

Long Press Release:

Singing CIA Agent George Shrub and satirical songster Dave Lippman bring the Counter-Intelligence Cabaret to__________. Get ready for high-end pop parodies and some very wise cracks. 

The veteran satirical songster is fired up about sweatshops, S.U.V.s, and wars to defend sweatshops and S.U.V.s.  This show has delighted and terrified audiences throughout the Free World, and in some pretty cheap places as well. Attendance is optional but strongly suggested. Lippmanís most recent CD is I Hate Wal-Mart, and Shrub and Lippman together released Live in Manhattan last year.

Dave Lippman has toured from San Francisco to Birmingham, England, from Australia to Germany to Central America. Current victims of his parody include the faith-based missile shield, Global Warnings, Sport Futility Vehicles, and of course, Wal-Mart.  

Utah Phillips says of Lippman, "God that man can talk! What a great writer!" "Viciously funny," says the Guardian. "Lippman is a national treasure," said the L.A. Herald-Examiner. 

Lippman has been performing his brand of twisted musical comedy for over 25 years. Some of his material is based on his visits to war zones in Central America and the Palestinian territories. Lippmanís recent travels in Venezuela are highlighted in a multi-media piece.

Visit http://davelippman.com  for audio and video samples of the show. 

Lippman's travels in Venezuela are highlighted in a multi-media-music piece, "The Streams are Finding the River," and his visit to Palestine and Israel resulted in "Star of Goliath," which covers history and present day conflicts and options in songs and visuals. 

or (Add as appropriate:  A serious segment of the concert, focused on Palestine/Israel, will follow the hilarity. )

Short Press Release: 

List under:  Comedy, Folk, Acoustic  
For interviews or further information, please contact:  

Or Dave Lippman/George Shrub:  919-260-4138

________________________________will present singing C.I.A. agent George Shrub and satirical sharp-shooter Dave Lippman, at  ____________________________ on_____________________________.  Admission  $___.  

Veteran satirical songster Dave Lippman, fired up about weapons of mass distraction, SUVs, and wars to defend SUVs, takes to the road with gut-busting political comedy and moving commentary.  Get ready for high-end pop parodies and some very wise cracks from the world?s only known singing CIA agent, George Shrub, in this Counter-Intelligence Cabaret. Most recent CD: "Shrub and Lippman Live in Manhattan."  (When appropriate:)

Lippman's recent travels in Venezuela are highlighted in a multi-media piece.  

Visit http://davelippman.com  for audio and video samples of the show.  

(Add as appropriate:  A relatively serious illustrated song cycle on Palestine and Israel rounds out the show.)

 

green bar